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#1
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Anybody got detailed information about the equipment Adam Yauch uses live or in the studio? Pedals? Amps? Guitars? ...
Thx! |
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#2
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Yauch used an Ampeg bass in AIFST
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#3
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I could have sworn Yauch answered this here once upon a time. *off to the search engine*
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#4
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The thread about CYH's cover made me look at the IC cover (it was brought up as well) and then I opened it up and right on the back of the booklet it says "Fender Jazz, Zelinger and Acoustic Uprights: MC Adam Yauch".
Then it says "Trap Kits: Mike D" and "Guitar: Adrock"
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#5
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some more of adams equipment i could identify during the last gigs:
- old school looking ampeg tube amp + ampeg speakers (2x10" + 2x15"?) - univox super fuzz pedal - dna bass dragger BD-1 distortion or fuzz pedal - that white pedal ... maybe chromatic tuner? - some channel-switching-footboard - red ampeg vintage "scroll"(?) bass, he also has a green one, yammmie! - old fender bass anybody more details? adam? :-) BY THE WAY .... the live version of "jimmy james" really kicks ass, my favorite live-song at the moment! what effect/pedal did AdRock uses with his hands in the beginning of that song ... where he used his guitar-feedback sound as input signal for that device? any idea? maybe a sampling or scratching effect? Last edited by SpacemanSpliff : 06-12-2007 at 03:35 PM. |
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#6
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Last edited by Friis gal : 06-13-2007 at 07:20 AM. Reason: woow |
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#7
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here is his green ampeg scroll bass, screenshot taken from "Awesome I ...." DVD
http://www.musiker-board.de/vb/attac...1&d=1169400498 and the red one you see here: http://www.flickr.com/photos/oscilloscope/495719535/ amazing basses! (also his ampeg amps and speaker, costum made i noticed on the ampeg website: http://www.ampeg.com/roundsound/2007...through_1.html ) |
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#8
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some of the oscilloscope stuff
- neve 8058 mark 2 console with flying faders - EMT 140t plate reverb - roland re301 tape delay - tapco 440 reverb - ursa major space station - Roland SBF-325 Analog Flanger/Chorus - CBS VOLUMAX 400 limiter - skl Tube Filter Equalizer - Master Room XL-305 - LEXICON PCM 41 - Roland SRE-555 - gates sa-39b - gates sta-level - DBX 120XP Rack Subharmonic Synthesizer - yamaha analog delay e 1010 - Moog 12 Stage Phaser - lexicon primetime 93 - Orban 111B Dual Channel - 4 edit bays networked into 2 Xserve Raids - 7.5 TB - real time multi standard, multi resolution offline editorial - streamlined online including conform, and visual efx - visual efx include motion graphics, compositing and graphics - DVD author, design, encoding - audio mix (stereo, 5.1) capabilities, design, VO record, layback... live: MONITOR ENGINEER SEAN STURGE Monitor engineer Sean Sturge is manning a Digidesign VENUE board for this tour, using onboard effects that include the All Access Pack with Drawmer TourBuss, Focusrite and TC Electronic DVR2. Front-of-house engineer Tim Colvard (who was unavailable for comment) is on a DiGiCo D5. “For vocal mics,” Sturge says, “Ad-Rock, MCA and Mike D are on Sennheiser SKM5000, and for in-ears we have Sensaphonic ProPhonic 2X-S.” Percussionist Alfredo Ortiz’s mic collection includes seven Shure Beta 98s, a Beta 91, two SM81s and two SM58s. According to drum tech Phil “Big Daddy” Dannemann, Mike D’s drum kit mics include a Beyer M88, a Shure Beta 91, two SM57s, an AKG 451, three Shure Beta 98s, two AKG C-414s, a Sennheiser 409 and an SM81 Ad-Rock’s main guitar is a Gibson Melody Maker and his backup is a custom Fender. He is using an Ampeg Reverberocket with an SM57 mic on it. On his stage setup, on the Plexiglas table, he has a Korg synth/vocoder, Maxxon analog delay and a custom mute switch. His footpedals include a Boss PH-2 Super Phaser, Ultra-Harmonix Little Big Muff and Pulsar, Dunlop Crybaby wah, Boss DD-3 digital delay, Dunlop volume pedal and a Boss TU-2 Chromatic Tuner. Money Mark Nishita’s setup comprises a Korg CX-3 organ, clavinet, Fender Rhodes, Moog Voyager, Farfisa and a Korg synth EA-1; his amp is an Ampeg Reverberocket. http://mixonline.com/live/tourprofil...oys/index.html
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